MUSIC
Noise Makers Plugins Pack 22.12.2015 by R2R
Noise.Makers.Binauralizer.v1.1.Regged.READ.NFO-R2R
Noise.Makers.Binauralizer.v1.1.MacOSX.Regged-R2R
Noise.Makers.Pano.Player.v1.6.Regged-R2R
Noise.Makers.Pano.Player.v1.6.MacOSX.Regged-R2R
Noise.Makers.TapeOne.v1.0.Regged-R2R
Noise.Makers.TapeOne.v1.0.MacOSX.Regged-R2R

Binauralizer is a spatial audio plugin (VST, AU, AAX) for binaural panning and downmix of multichannel audio. It uses Head Related Transfert Functions (HRTFs) specifically designed to simulate sound location/width with great accuracy and naturalness.

Pano Player is the plugin version of PANO (VST, AU, AAX). Plug it in your favorite DAW as a virtual instrument and instantly add dynamics, naturalness and infinite variations to your soundscapes and Foley effects.

Be prepared for original sound effects using Tape One !
Explore micro delay times (5 ms) exploding feedback gains (up to 110%) ping pong, filters, saturation…Tape One offers a wide range of sound manipulations,
from fast-forward / slow-down tape effects, to extreme comb filters and stereo echoes.


MusicLab RealGuitar v4.0.0.7207 Incl Patched and Keygen
If you are serious about creating truly realistic sounding solo and accompaniment guitar stuff for your songs, our product called RealGuitar is just what you need. RealGuitar is a sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar part performing on keyboard.

The true power of RealGuitar lies in brand new technologies incorporated in this innovative guitar performance tool:

- Song Mode turning RealGuitar 4 into a powerful and easy-to-use songwriting tool allowing you in no time create perfect guitar backing tracks for your songs. Simply insert chord symbols and rhythm patterns into the built-in Song Track - and your guitar part is ready!

- Advanced Humanize section of RealGuitar 4 allows to easily add realism to the performance, both live and step-recorded in a MIDI track, or automatic.
New multi-channel layering technology, incorporating a custom library of specially recorded samples taken from every fret of all 6 strings of a real guitar.

- The unique Floating Fret Position technology, which imitates change of fret position of a guitarist's hand on the neck. This gives you the possibility of playing on up to 104 guitar frets using just 43 keys of a standard keyboard!

- Our original Guitar Touch technology letting you easily imitate basic guitar techniques (strumming, plucking, sliding, bending, muting, etc..), using standard MIDI keyboard and MIDI controllers, such as Pitch Bender, Modulation Wheel, Sustain Pedal, Aftertouch.

- Guitar Rhythm Pattern technology providing powerful Pattern Manager completed with huge MusicLab Guitar Pattern Library for easily creating guitar accompaniment tracks. All you have to do is to find the appropriate rhythm pattern(s) in the Pattern Manager tree view, copy it to the needed number of measures, start your sequencer and use MIDI keyboard to play chord changes, or alternatively add chords to a MIDI track via sequencer's editor.

- The unique Struminator technology letting you use alternative MIDI controller (standard Guitar Hero game controller for Sony Playstation 3 by Activision Inc) for creating authentic guitar accompaniment parts with ease and fun.

These technologies allow to closely emulate live guitar sound and techniques, letting you perform guitar parts with a whole new level of realistic expression.


KarmaFX Synth Modular v1.18 Build 6063 32 & 64 bit OSX
KarmaFX Synth Modular is an advanced and highly flexible Simulated Analog Modular Synthesizer and Effect Unit.

Its amazing visual- and highly intuitive user interface lets you modulate just about any knob or slider by any control signal - making the soundscape possibilities almost endless.

FEATURES:

- KarmaFX Synth Modular: Advanced Simulated Analog Modular Synthesizer and Effect Unit.
- Full Modular patching of synth Components and Controls.
- Internal high-frequency digital simulation of analog voltage levels.
- Oscillator with phase, Detune and Pulsewidth that generates standard synth waveforms.
- Dual Oscillator with Detune, Hardsync and Ring modulation.
- Sampler, 16/24/32 bit Mono/Stereo multi sample player that imports WAV/SF2/SFZ files.
- Multisample editing with Key/Velocity-ranges and Loop-Points.
- Additive and Pad module with waveform and Harmonic Magnitude/Phase editors.
- User defined waveforms and built-in presets of up to 1024 harmonics.
- 2/4 Pole Multimode Filters with Cutoff, Resonance (LP, HP, BP and BS filtertypes),
- SVF, Zolzer, Moog, 303like, Formant, Comb, Allpass, Parametric and Shelving Filters.
- 10-band digital and 31-band simulated analog Graphic Equalizers.
- Amplifier and Stereo module with Panning, Volume and Velocity control.
- Two channel Mixer with Ring modulation and Bit operations.
- Delay, Reverb, Phaser, Chorus/Flange, Pitchshift, BitShuffler and Distortion effects.
- Soft-knee Compressor with Peak/RMS detection and optional Sidechain.
- 10 Octave/12 Note Pitch control with Detune, Portamento and Pitchbend support.
- Controllers for Frequency Modulation (FM) and fast frequency sweeps.
- Up to 16 channel Unison controller with Detune and Stereo pan spread.
- 32 step, 4 octave Pattern controller with Hold, Loop, Legato and Arpeggiator.
- Bipolar/Unipolar LFO with Tempo Sync, HFO with FM option.
- ADSR and Multipoint Envelopes with Linear, Exponential, Hermite and Cubic curves.
- Step Sequencer, Envelope follower, Sample & Hold and Decay modules.
- Output module with Panning, DC removal, Volume and Clip control.
- Noise generator, filtered Pink, White and Brown Noise with Frequency Sync control.
- Input generator so synth can function as an Insert effect.
- Full stereo support (selected modules can run in mono to save CPU cycles).
- Patches are built up of Generators, Filters, Amplifiers, Controllers, Effects and Modulators.
- Up to 49 simultaneously running modules (8 modules per group and 1 output module).
- Instant visual feedback on all controls. Frequency, Time/Amplitude, Modulation, etc.
- Optionally see knobs and sliders animate as they are modulated.
- Choose between Mono, Legato, or up to 16-voice true Polyphony.
- MIDI modulator modules for MIDI Controller, Velocity, Aftertouch and Pitchbend input.
- 128 user-assignable Automation controls with MIDI Learn.
- Fully skinnable GUI: Optional skins are bundled with the installation.
- 7 banks of pre-made KarmaFX patches + userbanks. (More than 1300+ patches total).
112db Morgana v1.2.8 WiN/OSX Incl Patched and Keygen-R2R
Morgana is an authentic representation of a vintage digital sampler, designed to be musical rather than accurate while simultaneously free from the clumsy interface or sub-megabyte RAM limitations plagued by old hardware. Morgana doesn't try to boast the most impressive spec sheet, or the most transparent sound. By returning to a simpler architecture, Morgana actually transcends the limitations of typical software samplers, creating an experience that sounds and feels like an actual instrument--one that is inspiring and with a sound all its own.

Morgana is also capable of sampling, either from the host audio inputs or through our proprietary SampLink technology. SampLink allows Morgana to directly sample from any track in a multi-track environment, and even across different hosts, in a simple and no-hassle way.

Changes:

64-bit support.
AAX-version.
Cleaner sound.
Improved 'voice stealer'.
Lots of new samples.
DB Audioware Sidechain Gate v1.1.0 MAC OSX-Kleen
Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds).

Sidechain Gate also performs brilliantly as a conventional insert effect. The EQ and Shape controls allow you to intelligently gate problem recordings. Say you want to clean up a noisy recording of a snare drum, which has some bleed-through from a crash cymbal. Simply use the Hi Cut control to filter out the higher frequencies, and then the gate will only open when the snare is hit.

Features

crisp, low distortion gating even with short attack/release times
easy multi track side-chaining based on db audioware’s Universal Sidechains
one-to-one-track or one-to-many-tracks side-chaining
elegant user interface with clear visual feedback
precision control over the gating response (EQ & Shape)
full MIDI control, with easy to use MIDI Learn

NOTE: This is not the 64 Bit compatible version! It's for older Macs only.

Installation:
– Install first from Demo Installer
– Replace AU and VST
– Done
::: ENJOY! :::
DB Audioware Sidechain Compressor v1.1.0 MAC OSX-Kleen
Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. adding punch to drum tracks or presence to vocals). For additional flexibility, the sidechain controls (Lo Cut/Hi Cut/Shape) let you customise the compression response.

However, Sidechain Compressor’s real party trick is its Universal Sidechain section. This lets you easily do vocal ducking (standard vocal processing in radio production, to fade out music when a narrator is speaking) or add synchronised ducking effects to dance mixes (making your whole mix "pump” or "breathe” by following a kick drum).

Universal Sidechains work in most multi-track applications, even those that do not directly support side-chaining. It only takes a few mouse clicks and you’re up and running!

FEATURES

all-new compression algorithm with great vintage sound
easy multi track side-chaining based on db audioware’s Universal Sidechains
one-to-one-track or one-to-many-tracks side-chaining
elegant user interface with clear visual feedback
precision control over the compression response (EQ & Shape)
gain control for manual gain make-up or fine adjustment of output level
auto-gain with integrated second stage limiter (ensuring levels never get out of control at extreme settings)
full MIDI control, with easy to use MIDI Learn

NOTE: This is not the 64 Bit compatible version! It's for older Macs only.

Installation:
– Install first from Demo Installer
– Replace AU and VST
– Done
::: ENJOY! :::
Avid First AIR Instrument Xpand2 x64 AAX-AudioUTOPiA
Air Music Technology originally created Xpand! as part of the Creative Collection of instrument plug-ins included as part of Avid™ Pro Tools™. With the release of Pro Tools 8, this widely popular workstation was given new controls, improved features, an additional Gigabyte of sounds, and a new name: Xpand!2. As the popularity of Pro Tools grew, more and more musicians and producers came to rely on the incredible sonic firepower of this amazing workstation. Xpand!2 continued to evolve, and demand grew. Finally, Xpand!2 is now available on its own, available to anyone who hungers for the finest sounds—instantly.

Four on the Floor
Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. The Voice Mode for each part can be set to polyphonic or monophonic. Polyphonic parts can have up to 64 voices; monophonic parts offer First, Last, Highest, or Lowest priority making it easy to designate a bass, lead, or solo instrument.

Sounds Galore
Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches. Creating your own is easy, too. Parts can be quickly browsed and are conveniently sorted into 29 categories, offering a simple path to find just what you’re looking for.

Smart Knobs and Easy Edits
Six smart knobs are provided for custom-tweaking your Xpand!2 sounds. Each knob changes function depending on the part selected, offering hands-on control of the most critical sound elements. Select the Easy mode, and all six knobs now control all four of the common parts in a patch simultaneously for quickly performing those crucial edits. And of course, all of your edits can be saved for instant recall.

Major Modulation
Express yourself with powerful performance features! Pitch Bend wheel and Aftertouch (pressure) modulation assignments can be made independently for each part. Modulation rates can be tempo sync’d or free-wheeling. Numerous modulation destinations are provided, and the WAVE destination parameters are different from part to part, providing unique Xpand!2 sound-shaping capabilities.

Advanced Arpeggiation
Keep things moving with advanced arpeggiation. Simply set the Rate—including dotted and triplet values—and then select the Mode. Using the Latch switch allows the arpeggiator to continue to play, even when your hands leave the keyboard. Each Xpand!2 part is provided with its own arpeggiator. Many parts such as Action Pads and Loops will automatically activate the Arpeggiator, as it forms an integral part of the sound.

Dynamic Effects Duo
Xpand!2 includes two independent effect processors with fifty studio-grade effects, ranging from rich reverbs to the mind-bending Chaos Delay. When selecting a new effect type, Xpand!2 will instantly change the edit knob functions to provide accurate control of every effect. The output of FX1 can be fed into the input of FX2 to create advanced "cascade-style” effects.
Avid First AIR Instruments Bundle v12.0 x64 AAX-AudioUTOPiA
AIR Music Technology is one of the pioneers in virtual instruments and effects. The AIR Instruments Bundle collects five stunning plug-ins — Boom, DB-33, Vacuum, Mini Grand and Structure Free — that give you the opportunity to add just the right vibe to any idea. From drums to tonewheel organs, samples to acoustic grand pianos, this is the Bundle if you’re looking to push your creativeness to the next level. This bundle is designed only for Pro Tools | First, all the plug-ins are included in Pro Tools and Pro Tools | HD installs."

This package includes 5 Virtual Instruments:

AIR Boom – drum computer with pattern sequencer
AIR DB-33 – tonewheel organ simulator
AIR Vacuum – analog tube emulation synthesizer
AIR Mini Grand – acoustic grand piano
AIR Structure Free – sample player

All plug-ins and bundles specifically for Pro Tools | First are available as annual subscriptions. Simply renew each year—or whenever you want thereafter—to maintain or reinstate your sounds.
Avid First AIR Effects Bundle v12.0 x64 AAX-AudioUTOPiA
AIR Music Technology was one of the pioneers in virtual instruments and effects, creating the ever-popular AIR Chorus, AIR FuzzWah, AIR Spring Reverb and AIR Vintage Filter effects. The AIR Effects Bundle brings together 20 of the company’s best and brightest, giving you the opportunity to push your creativity to new heights. This bundle is designed only for Pro Tools | First, all the plug-ins are included in Pro Tools and Pro Tools | HD installs.

This package includes 20 plug-ins:

AIR Chorus, AIR Distortion, AIR Dynamic Delay, AIR Enhancer
AIR Ensemble, AIR Filter Gate, AIR Flanger, AIR Frequency Shifter
AIR FuzzWah, AIR KillEQ, AIR Lo-Fi, AIR MultiChorus
AIR Multi-Delay, AIR Nonlinear Reverb, AIR Phaser, AIR Reverb
AIR Spring Reverb, AIR StereoWidth, AIR Talkbox and AIR Vintage Filter

All plug-ins and bundles specifically for Pro Tools | First are available as annual subscriptions. Simply renew each year—or whenever you want thereafter—to maintain or reinstate your sounds.
Avid Focusrite d2 d3 Bundle v11.1.80871 WIN x64-AudioUTOPiA
Modeled after their respective Red Range hardware counterparts, the Focusrite d2 and d3 bring high quality equalization and professional dynamic control to Pro Tools.

d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools environment.

d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools.

Details

The d2 software-based digital equalizer, is truly worthy of its lineage: the Red Range 2 Dual EQ. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters.

d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously.

Focusrite's d3 is a world-class, software-based compressor/limiter for Pro Tools and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary.

One d3 plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session.

Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies instant access to the various modules of the d2—six band, four band, or dual/single band—or, in the case of the d3, one-button access to both compressor and limiter modules. A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the keyboard, if desired. For precise processing, independent input and output level controls and high-resolution Plasma-type meters are also provided. With the d2, offset level adjustment is accommodated by use of the left, right and link controls.

Features

d2

Modeled on the highly acclaimed Red 2 equalizer
Six-band, four-band, dual-/single-band, stereo or mono modules
EQ curve display supplies visual feedback of parameters
Left/right controls can be adjusted independently, then linked to retain the offset
Three different mono or stereo modules: 6-band, 4-band, and dual-band/single-band; these versatile configurations provide maximum DSP efficiency
The d2 consists of high- and low-pass filters, high- and low-shelving filters, and high-mid and low-mid peaking filters
Automation features, including dynamic plug-In automation

Filter types and frequency ranges

High-pass: 20 Hz to 6.4 kHz (18dB/oct.)
Low-shelf: 33 Hz to 460 Hz
Low-mid peaking: 40 Hz to 6.4 kHz (Q Range: .7 to 4.0)
High-mid peaking: 120 Hz to 18 kHz (Q Range: .7 to 4.0)
High-shelf: 3.3 kHz to 18 kHz
Low-pass: 100 Hz to 18 kHz (18dB/oct.)

d3

Modeled on the highly acclaimed Red 3 Dual Compressor/Limiter
Two separate Plug-In configurations (Compressor+Limiter and Compressor/Limiter), allowing for maximum efficiency with DSP-powered Pro Tools systems
AudioSuite functionality enables fast and convenient file-based processing

Controls and ranges

Compressor in/out switch
Limiter in/out switch
Engage key input (side-chain)
Audition key input
Threshold: 0 dB to - 48 dB
Ratio: 1.5:1 dB to 10:1 dB
Attack: 1.0 to 150 ms
Release: 25ms to 2.5s
Limiting: 0 dB to -24 d