MUSIC
Kush Clariphonic DSP-MKII v1.0.0 WIN-AudioUTOPiA
After 3 years of using the original Clariphonic DSP, I'd compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters.

To my ears, the mkII sounds markedly smoother than the original, and it's considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening.

I overhauled the GUI as well, it's a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I'm more proud of this design than any I've done to date, and that's coming from the guy who recently dropped the Tweaker.

Everyone who bought a new license for the original Clariphonic DSP gets full credit towards the upgrade... even if you bought it 3 years ago, on sale. Go to the Store for instructions. Enjoy!
HoRNet SongKey MKII v2.0.2 WiN/OSX
Real-Time key and chord detection
HoRNet SongKey MKII is a key detector, SongKey MKII works in real time analyzing a polyphonic audio stream (usually a song) and thanks to some advanced artificial intelligence algorithms identifies in which key the song is composed, SongKey MKII also tracks key changes during the song.

Since the brain inside SongKey MKII tries to "guess” the correct key, the three more probable keys are shown together with a confidence level for each key. SongKey MKII also displays a "note profile” for the song showing which notes are played the most.
Eventide BlackHole v2.0.8 WIN-AudioUTOPiA
Classic Eventide reverb effect capable of producing huge spaces and out-of-this-world soundscapes!

Blackhole is a massive reverberator that has evolved over the years by pulling in mass quantities of time and energy (of the development persuasion, of course). In its earliest incarnation – first in the DSP4000 and later in the H8000 flagship processors - it was regarded, by some, as a secret weapon. Recently it was tuned, expanded and enhanced and then unleashed in the Eventide Space stompbox. Now, it's available as a Native plug-in.

Features

Blackhole may not be your first choice to simulate an enclosure on the surface of the earth but, if you’re at all interested in ‘sculpting sound', Blackhole just might pull you in. From our vantage point, its possibilities appear to be endless but, of course, we can’t see beyond its event horizon.
Eventide 2016 Stereo Room v2.1.5 WIN-AudioUTOPiA
THE LEGENDARY REVERB ALGORITHM OF EVENTIDE'S SP2016

Long used as an essential reverb for mixing hit records, the Eventide SP2016, while long discontinued, is still in use in places like Ocean Way. Creating a reverb algorithm is part art and part science.

The science bit is all about the naturalness of the sound - whether the simulation convincingly conveys the "feel" of a real room.

Some digital reverbs don't have the horsepower to run a sufficiently complex program to achieve "naturalness." Without enough processing power the effect will suffer from low echo density or unnatural density growth with time or comb filter effects, etc. As Einstein is alleged to have said "things should be as simple as possible, but no simpler." This principle certainly applies to reverb algorithms.

The art of reverb algorithm design begins with simulating a 'room' that actually sounds good. Needless to say, rooms exist in the real world that sound awful. The structure of the reverb algorithm combined with the choices of delay lengths, interconnects, filter placement, early reflections, etc. all contribute to the overall sound. The final element of the art of reverb design is the designer's choice of the ways in which, and the extent to which, the artist/engineer/producer is permitted to modify the effect. What are the parameters and what do they do?

The degrees of freedom available to the designer guaranty that no two (sufficiently complex) reverb algorithms will sound the same. Each will be unique. There are a number of popular digital reverberators for good reason. Each has a distinctive sound, each has a particular set of possibilities. The SP2016 reverbs have attracted a loyal user base because of a particular blend of art and science. They sound natural. They sound distinctive. And, although they allow the user to vary the effect dramatically, the controls can't be set in such a way as to create an unnatural sounding effect - this is a good thing.

The algorithms naturally simulate every aspect of the sound of a real enclosure - from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. A powerful simulation that lends itself to parametric control - a good thing indeed.
Exponential Audio PhoenixVerb Stereo Reverb v2.1.3 WIN-AudioUTOPiA
The PhoenixVerb reverb plug-in has been designed with audio purity in mind. The tail has none of the pitch effects or periodic artifacts that are part of other reverbs. Its effect with small room settings can be almost invisible, subtly placing the source material into a natural space without screaming "reverb".

PhoenixPlates are tight and diffuse, complementing both percussion and vocal tracks. Chambers and halls are excellent for complex material and have been used in a growing number of major film releases. Those same attributes have shown themselves to be popular in classical, rock and jazz releases.

PhoenixVerb has also been designed with ease of use as a primary concern. The most important parameters are always available, and a richer set of controls is available only a click away. Presets are organized with application-specific keywords, and the user can easily create new presets and keywords to tailor PhoenixVerb to the needs of any particular facility.

PhoenixVerb was nominated for the 2014 Technical Achievement award by the Cinema Audio Society.

Now with the Version 2 update, PhoenixVerb provides additional options. These include automatic CPU load management and a new Favorites list.

Presets are easily categorized under several keywords. With a single mouse click you can add any preset to a list of favorites to make your work go even faster.

But the sound is what will bring you back. PhoenixVerb isn't a pasted-on reverb. It integrates with the source in ways you won't even notice--until you take it away. Whether you need halls, plates, chambers or rooms--this is the solution.
RF Music Comp87 v2.0.2 WiN-OSX Incl Keygen-R2R
Comp87 is an easy to use zero latency compressor plug-in, capable of adding compression, punch and saturation to individual or grouped tracks in the project.
It works great on drums, instruments, vocals or even the master track. There is also a mix knob to get the parallel compression.

RF Music Comp87 MB v2.0.1 WiN-OSX Incl Keygen-R2R

Comp87 MB is a multi-band compressor plug-in. In MB version of Comp87, the input signal is divided into 3 bands (Low, Mid and High) and each band is being processed separately. At the end these bands come together as a single signal and go through the 4th compressor. In addition to compressor there are saturation and stereo separation controls.
RF Music Scale Player v1.0.1.3 WiN-OSX Incl Keygen-R2R
Scale Player is a MIDI effect plug-in that allows you to play different scales in any key and mode using the idea of relative notes rather that static note values.

The plug-in calculates the intervals between pitches based on the selected scale and the user can move up and down the scale playing melodies, arpeggios or even chords using a few keys.
ReLab LX480 Complete v2.0.2 WIN VST-AudioUTOPiA
For over two decades, the Lexicon 480L Digital Effects System* has been the standard by which all other signal processors are measured. The Lexicon 480L* remains a popular choice among top producers for the most demanding tasks. Even today the Lexicon 480L* is widely considered as one of the best-sounding reverbs ever built.

The LX480 will set the new standard for reverb plugins in the future. Download the demo and listen!

Features:

• Faithfull recreation of the reverb algorithms from the Lexicon 480L*
- Random Hall
- Hall
- Room / Plate
- Random Ambience
- Twin Delays

• Modeled input and output stages - Everything is modeled from internal clipping to
quirks in the feedback loops
• Additional exclusive features and functions not found on the original
- Continuous controls
- Flexible and additional filter structures for better sound shaping
- More ER delay lines
- Stereo manipulation
- 88.2Khz and 96Khz support
Plugin Boutique Carbon Electra v1.11 Incl.Keygen READ NFO WiN/MAC-R2R
4 Oscillator subtractive synthesiser featuring informative displays, editable step sequencer, vocal filter, integrated distortion and analog control.

Plugin Boutique & Samplify Present Carbon Electra. Carbon Electra is a powerful and intuitive synth built by producers, for producers. It's a four-oscillator subjective synth with a modern feature set. It has been developed as an advanced learning tool whilst also being a powerful and easy to program synth. Being based on vintage analogue routing and featuring flexible modulation options including an editable stepper and note performer.

The graphical displays act as a comprehensive information tool aswell as an accurate guide to each parameter change. Best of all, it sounds incredible.

NOTE

Some new hidden serial checks are added to periodical silence and bank loading. Aaaaaand, FXB bank still does not work correctly hence the preset recalling from DAW should be affected. 

TO DEVELOPER : 
After you compared the chunk name with "cest", "cepg" and "mdcc" hunks are not properly loaded due to the miscalculation of the pointer. Well, you need to fix other things too :P