MUSIC
MusicLab RealGuitar v5.0.0.7367 / v5.0.1.7388 WiN MacOSX
If you are serious about creating truly realistic sounding solo and accompaniment guitar stuff for your songs, our product called RealGuitar is just what you need. RealGuitar is a sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar part performing on keyboard.

RealGuitar 5 is a combo of two instruments: Classic – all of our original guitar models with loads of new features, and Steel String – the debut of new guitar sample set with five patches and three tunings for each.

The true power of RealGuitar lies in brand new technologies incorporated in this innovative guitar performance tool:
Rob Papen BLUE II v1.0.3b CE rev.2 / v1.0.3a PROPER WiN MacOSX
First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and - most importantly - musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

Today BLUE-II remains true to that ethos with even more sound dimensions and features to its extended name, starting with six oscillators beating at its musically creative heart. These can be connected in various ways, together with two analogue-style modelled stereo filters with 27 different filter types, an enormous range of processing and modulation options, sequencer, and an incredibly powerful arpeggiator.
GlitchMachines Quadrant v1.1 WiN MacOSX
Quadrant is a modular sound generator and effects processor geared toward experimental sound design and electronic music production.

Quadrant’s open-ended graphical patching system and diverse set of modules give you access to a highly customizable processing environment capable of a broad range of effects. Quadrant’s intuitive workflow and vast sonic potential will inspire you to push the envelope, while its flexible architecture invites you to try imaginative new routing scenarios.
Inear Display Cruelle v1.3 WiN MacOSX
 
Cruelle is a brutal distortion plugin designed to turn sounds into screaming feedback tones and glitch artifacts. Combining an analog style filter with audio rate modulation and an aggressive digital distortion module with adjustable shape and feedback, Cruelle allows you to quickly create wild patches thanks to its intuitive and clean user interface.

Available as VST and Audio Unit for OS X and Windows (32 and 64 bit).
 
Admiral Quality Poly-Ana v1.3.4 CE / v1.3.1 WiN MacOSX
Poly-Ana is finally here! Get ready for a new experience in virtual analog synthesis! Poly-Ana uses a different approach than most other VA soft-synths which we feel delivers a sound more authentic to the early analog synths that inspired her features. This "brute-force" method admittedly requires more processing power than other common techniques, but is a far truer model of the functioning of real analog instruments.

f you obsess over the quality of your sound like we do then you won't mind using a bit more CPU power to help get you closer to that real analog sound; a sound that so many other VA synths fall too-far short of. (Note that Poly-Ana also offers a Quality option to reduce CPU usage during performance-time at the expense of sound quality.) 
Voxengo Crunchessor v2.10 WiN MacOSX
Crunchessor is a track compressor AAX, AudioUnit and VST plugin for professional sound and music production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its valve-type processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness.
Rob Papen RP-VERB 2 v1.0.0d CE / v1.0.0b WiN MacOSX
After the original RP-VERB came out, it quickly became loved by many (famous) producers worldwide. Its dense and warm sound made it legendary and a go to reverb for many.
As usual the Rob Papen brand always seeks new directions and for many it won’t be a surprise to find some new creative tools inside RP-VERB 2!

Most intriguing in RP-VERB 2 – next to a great sound – is the new ‘Reverser’ section!
This allows you to reverse the reverb sound in a very creative way. It can be tempo based and controlled easily…. Awesome for creating some unique fresh sounds.
Rob Papen RG v1.6.2g CE / v1.6.2e WiN MacOSX
RG is a unique groove plug-in that is far more than just a virtual Rhythm Guitar player! By using the RG onboard sequencer it is possible to create classic Rhythm Guitar grooves, but beyond that you can use the synthesizer features and effects to make fresh new edgy guitar grooves. To play the grooves RG is using a keyboard layout of "major chords" and "minor chords", each with two sequence patterns (A or B) option.
It is only a matter of hitting a single note in the major keyboard range or minor keyboard range and the groove plays. The sound sets are clean sampled guitars, which gives you great freedom and flexibility when using the synthesizer features and effects of RG.
Soundspot Kara v1.0.1 WiN MacOSX
We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive.

This is a personal bugbear for the team at SoundSpot during the production process, and we all wished that there was a plugin that could control the cutoff envelope on the group as a whole, so we decided to start work on a plugin that would do just that.
AOM Factory Invisible Limiter v1.5.4 / v1.5.3 WiN MacOSX
A.O.M. Invisible Limiter is a transparent look-ahead brickwall limiter with automatic attack/release-time optimization. The Invisible Limiter's limiting algorithm minimizes the difference between the original and the limited signals. This behavior is appropriate to avoid coloration your material through final limiting stage in mastering. Under ordinal amount of reduction, it is hard to distinguish before and after limitation.