MUSIC
Plogue Chipcrusher v1.848-R2R
chipcrusher is an advanced bitcrusher, a speaker simulator and noise machine. It’s an audio effect which plays back input audio through a simulation of early lofi digital audio codecs (DAC Encoding), adds grit (Background Noise), and outputs through a selection of speaker and filter impulse responses (Post-Processing).

It can work as a VST/AU/RTAS plug-in for most major sequencing audio programs and supported tracker programs on Windows and OS X.

There is a wide spectrum of results achievable with chipcrusher. Here’s a few use cases:

-Uniquely destroy/mangle a beat, a guitar or any other audio track.
-Play single hits and emulate the sound of old samplers.
-Add ‘accurate dirt’ to chipsounds’s output.
Etc.

There are three main components in chipcrusher: DAC Encoding, Background Noise and Post-Processing. The audio inputs first go to the DAC Encoding. Then it get mixed with the Background Noise to finally get sent to the Post-Processing stage. Of course, each component can be bypassed on demand without muting the audio.
Plogue AlterEgo v1.070-R2R
Alter/Ego is based on the award winning technology featured in chipspeech but instead of targeting Vintage voice technology, it focuses on more ‘modern’ (1990+) singing synthesis algorithms and research.

It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances.

And more importantly it is FREE!

Voice banks come in various styles and licenses. Daisy is the first bank available and is also FREE.

More voice banks are expected. Please watch this space and follow us on twitter/Facebook for up to the second news.

Daisy is the first voice for Alter/Ego and was made by Crusher-P and Giraffey
Acoustica Nightlife VST x32 WIN Free
Nightlife is a fun and inspiring virtual synthesizer instrument, packed with bone–rattling basses, otherworldly pads, beat–synced arpeggiated patterns and tons more, making it the ideal choice for modern dance, EDM, or trance styles. And with three oscillators, five built-in mod sequencers, dual filters with fifteen filter types plus a vowel filter, four LFOs, flexible mod matrix, a bit crusher, and five killer effects, Nightlife is a programmable powerhouse. For users who just want to rock the house without a lot of pushing the mouse, Nightlife includes a ton of edgy, evocative preset patches.

Sequencers

Create captivating patterns with five independent, beat–synced sequencers, each with up to 32 steps. Routable to filters, pitch, amplitude and more.

Oscillators

Three feature–packed oscillators including sync, ring mod, and FM. Choose from dozens of included waveforms, or draw custom waves with the mouse.

Filters

Dual–filter architecture with selectable oscillator input routing. Choose from fifteen filter types, including classic 24 db/oct lowpass, bandpass, highpass, and more.

Vowel Filter

Nightlife’s Vowel Filter lets you create unique vocal–like timbres with an easy and fun "bouncing ball” graphic interface.

Mod Matrix

Quickly configure up to ten individual mod routings with Nightlife’s flexible modulation matrix. Choose from nine mod sources and 36 destinations.
Best Service PLP120 VSTi AU RTAS v1.0 HYBRiD iSO-DELiRiUM
With PLP 120 you get a superb collection of a thousand rhythmical grooves combined with a specially adapted user interface.

PLP 120 is a virtual instrument plug-in combining live - played percussion with an innovative audio engine. This is dramatically different from other products through the possibilities of loop settings with the so - called "loopeye." All loops are four bars in length but what makes it stunning is that you can easily change the start and endpoint of each of the loops thanks to the specially adapted and very useful interface.

PLP 120 also includes amazing new tech grooves based on electronic and acoustic rhythmic loops and a large collection of live-played percussion from all over the world. You get hundreds of construction banks sorted in numerous styles always mapped to two octaves of your keyboard. You can arrange your own rhythmical firework in a fast and uncomplicated way just by pressing some keys!

PLP 120 goes further than any soundlibrary or module ever did. Now you can explore the world!

PLP 120 Features:

o 1.5 GB of live percussive performances 
o over 1000 - 4 bar loops 
o over 400 filles, breaks and single shots 
o all grooves will combine 
o electronic & acoustic loops 
o live-played world loops 
o construction banks sorted in styles 
o played by professional studio musicians 
o recorded with high-quality equipment 
o for Dance, Pop & contemporary productions 
o audio engine for quick adaptation 
o high-quality Time+Pitch Algorithms 
o all samples recorded at 120 bpm 
o optimally adaptible from 90 to 150 bpm 
o innovative 'Loopeye' for fast loop variations 

Much more than just a collection of grooves, PLP120 allows you to adjust the tempo and pitch of the samples to match your song. The sounds remain crystal clear, retaining the highest quality thanks to the fantastic MPEX2 algorithms by Prosoniq. All licks were recorded at 120 bpm. These can be changed in tempo to +/- 30 bpm (90-150 bpm) and retain the highest quality.

The 'Loopeye' enables you to easily change the loop start and end point to create fantastic new groove variations. But the fun doesn┤t stop there: the PLP120 engine allows you to split the grooves into different splices, automatically assigned to your keyboard so you can create literally endless new variations of the original groove.
 
Search through specific categories like percussion instruments from all around the world - eg. Darbuka or Conga. The engine also allows you to search in categories like Latin, Oriental, Asia and more, you can even search for specific dance styles like Hip Hop and others.

All these features together with multiple ways of creativly manipulating the grooves is making the PLP 120 an outstanding instrument.

NuGen Audio Stereoplacer v3.1.10.15 Incl.Keygen WiN/MAC-R2R
Pan control for the 21st century. Choose the frequencies you want to fix and move them anywhere, leaving the rest of the stereo image intact. Make improvements in any area of the sound stage without causing problems elsewhere. Stereoplacer gives you precise control you just can’t get within a traditional mix setup.

Stereoplacer is an advanced fine-tune parametric balancing control. You can tune each band into specific frequencies and move the frequency content around in the stereo sound stage. Just choose the position you want, and let Stereoplacer take care of preserving the balance of the original sounds.

"After using it [Stereopack] I decided that the only favor I could do for myself was to purchase the bundle, so I've bought it and now I'm happy as a kid in Disneyland."

Danilo Madonia
[Moody Blues, Eric Clapton]

With fully adjustable curves (bell, high and low shelving and even additional linked-harmonic overtones) you can redistribute stereo information with subtlety, or make powerful corrections – even moving hard-panned frequencies from one side to the other – without affecting the overall level balance of the material.

Mix | Sound design

Panning sounds with low frequency content without affecting the low end
Adjusting the position of sounds in sample loops
Fixing poor mic. placement
Moving specific problem frequencies away from key lead sounds as an alternative to EQ
Dealing with harmonically complex synth sounds
Addressing issues on FX laden tracks
Creative and complex soundfield distribution
A sophisticated approach to double tracking stereo distribution
Capturing and positioning harmonically rich percussive sounds


Mastering | Post | Restoration

Gentle linear phase adjustment of entire mixes
Re-positioning of specific elements
Extrapolation of poorly positioned instruments
'Side switching' and re-balancing
Shifting of problem elements whilst leaving the rest of the soundfield intact
Detailed alignment of low frequency information
NuGen Audio Stereoizer v3.2.9.3 Incl.Keygen WiN/MAC-R2R
Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts.

Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Smooth, rich and mono compatible

Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process.

Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. If you want a more coherent sound with polish and spatial balance but without adding artificial reverberation, chorusing or delay – Stereoizer is for you.

Mix | Sound Design

Expanding narrow stereo spectra
Introducing width to mono recordings
Enhancing the depth of FX return channels
Reigning in over enthusiastic spot FX
Creating 'centre space'
Settling 'forward' sounds
Generating panoramic ambience
Adding richness and gloss
Re-focussing central solidity
Avoiding heavy EQ and/or compression
Opening up cluttered frequencies
Fixing poorly positioned mic.'s
Adding depth, width and space to specific tracks
Enlivening static sounds

Mastering | Post | Restoration

Natural extrapolation of existing image
Frequency specific enhancement
Re-balancing
Taming eccentric material
Re-introduction of natural ambience
Firmly define existing stereo spectrum
Avoid changing the character with unnecessary EQ
Neutral stereo expansion/contraction
Subtle blending of inserts and returns
Pychoacoustic sweetening of frequency crowns
Cakewalk Z3TA Plus v2.2.120 MacOSX.Incl.Keygen-R2R
Waveshaping Synthesis:
Ultimate waveshaping control with dozens of sonic tools
Intuitive and graphically responsive interface
2,000+ professionally crafted presets
Built-in fully customizable studio quality FX.

Oscillators Section:

32-bit wavetable synthesis with three interpolation modes (DRAFT, NQ, HQ).
Full Stereo processing.
6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM capable in all oscillators with any waveform.
Loadable Wavetable Sets: Programs using different wavetable sets can be mixed in a bank. z3ta+ will find and load the appropriate wavetable set when the program is selected on-the-fly.
Loadable Oscillator USER Waveforms: z3ta+ can load the USER oscillator waveforms 1 to 6 from standard wave files (.wav). Up to six individual waveforms can be loaded per program, and then transformed by using the shaper as the internal waveform set. It is possible to load different waveforms in each preset. z3ta+ will find and reload the used waveforms when the program is selected on-the-fly. The wave files must be mono, up to 64k samples, in any samplerate.
64 voice polyphonic (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded).
Full Stereo processing.
6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM capable in all oscillators with any waveform.
Independent Waveshaper for each oscillator with 14 wave transformations: WARP, TWIST, MULTIPOINT, WAVE, SYMMETRY, DRIVE, WAVE, OFFSET, SHRINK, SELFSYNC, BIT REDUCTION, HIPASS and LOWPASS filters, , DC-OFFSET and WINDOW, all fully band limited and real-time capable.
Full Legato mode when operation is monophonic.
Circular inter-oscillator modulation.
Ring modulation, Hard Sync, PM and FM modes for any oscillator.
MULTI mode for any oscillator, which turns any oscillator in 8 oscillators (4 stereo oscillators) with adjustable detune.
Octave (-5 to +5 oct), Transpose (-12 to +12 semi), Detune (-50 to +50 cent) and Phase (0 to 360 deg) controls for each oscillator.
Key sync and Free Running, Normal or Inverted, with or without keyboard tracking modes for any oscillator.
Main Transpose, Main Tune controls.
Oscillator random tune control with per-oscillator generator.
Adjustable Punch control (drum machine-like DC burst).
Individual settings for Pitch Bend Up and Down (-12 to +12 semi).
4 Pitch Bend modes: Normal, Up, Down and Hold notes.
4 monophonic/polyphonic Portamento modes: Normal and Fingered, Fixed and Variable time.
Two mixing busses for oscillators outputs.
Individual Level/Modulation amount control.

Filters Section:

2 Filters, 10 Filter Modes: 12dB/oct LPF/HPF/BPF/BRF, 24dB/oct LPF/HPF/BPF/BRF, 36dB/oct LPF, formant.
Individual Cutoff, Resonance, Resonance Boost, Pan, Level and Limiter controls for each filter.

LFO Section:

6 Morphing capable LFOs, 4 global, 2 local (per-voice), all host Tempo Sync capable.
60 Waveforms, 10 user waveforms.
Individual Offset, Delay, Fade In, Morph Time, Speed, Tempo Sync and Key Sync mode controls.
10 LFO combination modes: MORPH, ADD, IADD, SUB, ISUB, MUL, MIN, MAX, HALF1, HALF2.

EG Section:

Eight 6-stage envelope generators, 1 bipolar, 6 unipolar, 1 main Amp EG, all with adjustable positive or negative amount.
Individual Delay, Attack Time, Slope Time, Slope Level, Decay Time, Sustain Level, Release Time controls.
Individual Attack, Slope, Decay and Release shape controls with 3 shapes (linear, slow, fast).

Modulation Matrix:

16 row modulation matrix with Source, Range (min/max), Curve, Control and Destination options.
24 modulation sources, including all LFOs, EGs, Attack and Release velocity, Unipolar and Bipolar keyboard tracking, internal functions and polyphony.
Min and Max modulation adjustable.
12 modulation curves, including Linear, Slow, Fast with normal and reverse polarity, and four pitch curves.
Over 200 modulation controls, including all EGs, unipolar and bipolar Pitch Bend, channel and polyphonic Aftertouch, Modulation Wheel, Breath, all MIDI CCs, velocity, unipolar and bipolar keyboard tracking, audio input and X-Y pad.
Over 60 destinations, including Pitch, PW, Levels, Routing, Pan, LFO and EG parameters, Functions, and many FX parameters.

Effects Page

Drive Section:

6 Drive modes, including Soft/Hard drive, Valve Amp, Smart Shaper and Heavy Metal (local plus global drive stage), individually selectable for both filters.
Stereo Decimator (lo-fi).
Tone, Drive and output Level controls.

Modulation Section:

9 Mode Modulation section, full stereo operation (except when mono modes are selected).
Modulation speed sync'able to host Tempo.
3 modulation waveforms.
Broad range of Chorus, Flanger and Phaser effects available, including mono/stereo chorus, flanger and phaser, 6-voice chorus, Quad phaser.
Delay, Speed, modulation Depth, Feedback, 2-band Modulation Equalizer with selectable modes and Level controls.

Compressor Section:

3 Mode dedicated compressor, with Threshold, Ratio, Gain and output Level controls.
Delay Section.
3 individual stereo delay lines, with Time (L & R), Delay, Feedback and Level controls.
Multi mode 3-band EQ inserted in the feedback loop, with 6 EQ modes.
Tempo Sync capable.

Reverb Section:

Full stereo reverb.
4 Reverb modes, including Small Room, Mid Hall, Big Hall and Plate.
Size, Damp, Lo, Hi and Wet/Dry controls.

Eq Section:

Full stereo eq.
7 band equalizer with 11 equalizer modes (Wide 1/2/3, Half 1/2/3, Low, Lo/Mid, Mid, Mid/Hi, Hi).
Simulator Section.
Stereo Cabinet-Amp simulator, with 19 different preset simulations.

Main Effect Section:

Stereo Main Limiter.

Graphic User Interface:

2 page, 3 deployable windows (Shaper, X-Y Pad, Spectral Analyzer), several subsections display.
Graphics by bitplant.
Inertial sliders, menu-driven multi lists, fast page selectors.
Sound Preview ribbon at bottom, variable velocity (y position), MIDI transmit to host (VST).
Polyphony indicator.
Master Volume and Limiter controls, output VU meter.
Full mouse wheel support.
Focus-capable controls, full PC-Keyboard support.

X-Y Pad:

Deployable X-Y pad with random mode via right-click, assignable as CONTROL in the modulation matrix.

Programs / Banks:

Bank and Program selector, Program up/down, Program Name display/editor.
6 banks (A-F), 768 program capacity, 128 factory presets.
Saves and Loads standard.fxb and.fxp files.
Compressed bank file format, to save space in song/bank files.
All settings saved in the song.
Copy/Paste/Initialise program utilities.
Auto-load of Default file, utility to save Default File.

MIDI Learn:

All controls are MIDI Learnable, with adjustable min/max/reverse status via right-click.
Multiple MIDI CC#'s are possible to be assigned to same control, multiple controls can be attached to one MIDI CC#.
Audiority TS-1 Transient Shaper v1.1 [WiN-OSX] Incl Keygen-R2R
TS-1 is a frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our "Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics. 

TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and "compress” your signal, in a similar way to a tape saturation.

v1.1 (February 2016)
– NEW: Path Settings window
– NEW: Type A (original) and Type B (new) modes
– NEW: Type B mode features inverse envelope curves on negative gain values.
– FIX: Gain matching issues
– FIX: Unwanted low end shelving
Audiority SideFilter v1.1 [WiN-OSX] Incl Keygen-R2R
Side Filter is special High Pass filter focused on removing bass frequencies from the Side portion of a stereo mix. This filter is very useful to tighten up the low end of your mix or to help you prepare a vinyl ready master.
NTS Audio Labs Techno-X Pro VSTi v1.0-ASSiGN
Techno-X v1.0 Pro' allows you to instantly generate state of the art Techno Music 
Loops - Techno Groove loops - Techno Drum Loops - and much more! Available as Standalone Live version and as a VST Studio version