MUSIC
Reveal Sound Spire v1.1.2 Incl Patched and Keygen-R2R
Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers. 

ANALOG / DIGITAL Superiority
Spire - the combination of best opportunities of software and hardware synthesizers

VERSATILE OSCILLATORS
4x multimode polymorphing oscillators
Classic, Noise, FM, AMSync, SawPWM

UNIQUE UNISON ENGINE
9x unison voices on each oscillator
Spread unison voices by chords and octaves
Capable of imitate different types of unisons like supersaw, hypersaw

SUPERB SOUNDING FILTERS
2x multimode filters with analogue and digital types of filtering
Perfecto, Infecto, Acido, Scorpio, Combo

HIGH QUALITY BUILT IN FX PROCESSOR
Shaper/Decimator, Phaser/Vowel, Chorus/Flanger, Delay, Reverb

INCREDIBLY FLEXIBLE MODULATION ARCHITECTURE
4x Macroses, 4x Envelopes, 4x LFOs with morphing shapes,
15x Matrix slots each of equipped with 2x sources and 4x targets

2x STEPPERS, ARPEGGIATOR
Surprisingly user friendly and fun to use!

MAKE YOUR SOUNDS FATTER
with X­-Comp (Multiband Compressor) and 3-band EQ

Changes in Spire v1.1.2:

- Added microtuning support. Now Spire can be tuned using different temperaments using Scala tuning files. Also Spire can be tuned an A=432 Hz, known as Verdi’s ‘A’ / Pythagorean Tuning. Available frequencies from 432 Hz to 446 Hz.
- Fixed sound for some old presets.
- Improve stability.
- Added new skin.
PSPaudioware PSP 2445 v1.1.0 Incl Keygen-R2R
PSP 2445 is a reverb processor plug-in (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX) inspired by two legendary early digital age reverberators: the EMT® 244 and the EMT® 245. PSP thoroughly researched how to bring the specific features of those simple, yet very musical sounding reverbs to life as a plug-in. 

We then improved from the originals with a handy set of parameters to control details of the sound and mix the reverb not available in the original hardware. The PSP 2445 is capable of processing using one selected engine or both of them simultaneously.
Inear Display All Plugins Pack WiN
This pack contains all Inear Display plugins including manuals. 

Most of these are old/hard to find R2R releases and come with a keygen. To the best of my knowledge these are the final versions before ID merged with Glitchmachines. As such they can be considered prototypes for Glitchmachines' current range of plugins. Don't be fooled though, they are only a couple of years old and are still superb sound-manglers in their own right!

BowEcho v1.1
Bucephal v1.22
Bucephal Legacy version
Danaides v1.0.1
Eurydice CM
Eurydice Legacy Version
Eurydice v1.2
Gorgon v1.0
Oxymore v1.1
R_Mem v1.0
Rmpx4 v1.0.1
SicknDstroy v1.2
Tkapik v1.0.1

Pro Music Software WinLive Pro Synth 6.0.0.4
WinLive Pro 6 Synth Orchestra is a powerful and professional Karaoke midi/audio player. Includes everything in WinLive Pro with extra features, such as; ASIO Driver Management, Midi IN, Winlive Digital Piano, Audio - MIDI Converter, Software Synth GM + (with over 250 sounds and 15 drum kits).

Main features of Winlive Pro 6.0 

Playing of various media files (midi , kar , mp3, wav, cdg , avi, mpg , mp4, flv , txt , rtf , jpg, gif , bmp )
Key transpose for MIDI files , audio and video
Pre-listen to the audio files in the secondary device (E.G. in Headphone)
Record your voice over midi or audio files
Add insert effect of main o secondary/recorded Audio track
Multi track player (Midi+Audio or Audio+Audio) with splitted controls (Volume/Efx ec..)
Book with fade out or mixing between Audio song and Midi
Dual monitor support ( Video and CDG files too )
Database for managing files and related settings
User sound editor for the creation of new sound banks
Audio Samples editor to insert real-time up to 100 samples
Managing Volume , Effects, Stamp , Kent , Transpose , Sustain , etc .. for each midi track
Storing virtual or physical changes for each song
Management of up to 16 different devices for midi
Import text in TXT /RTF format ( electronic music-stand )
Various karaoke display methods, also different for secondary screen (Karaoke Monitor)
Possibility to edit the individual notes of the drum track
Ability to associate a text or image to an Audio or Midi
Insert you custom karaoke or chords for Midi and Audio (stored in meta tags of the media file)
Sophisticated search engine with different criteria
Extraction and conversion from Cd in mp3 or wave
Compressor volumes for both Audio and Midi Files
Up to 10 locators for each song
Inserting images as background
Custom Midi-Engine permit realtime modify your settings(Volume,Instuments,Dynamics,Pan,Reverb,CutOff ecc…)
Compatible with M-Live karaoke format
Cover feature to change the feeling of the midifiles
General volumes, parameters of compression ,and other audio engine settings
General volumes, parameters of compression ,and other midi engine settings (only synth orchestra)
Wave to MP3 Converter
Import of Grooves in midi and audio format
Cue point management with detailed info such: insert text, images , loops , jumps key change at specific points ecc..
Display score and simplified notes on midifiles


Pro Music Software WinLive Pro 6.0.0.4
WinLive 6 Professional Edition delivers Prefessional Karaoke midi/audio player for amateurs and expert users. WinLive 5 Pro works fully compatible with Windows XP , Windows Vista, Windows 7, Windows 8, Windows 10 both 32 and 64 bit systems.

Main features of Winlive Pro 6.0 

Playing of various media files (midi , kar , mp3, wav, cdg , avi, mpg , mp4, flv , txt , rtf , jpg, gif , bmp )
Key transpose for MIDI files , audio and video
Pre listen to the audio files in the secondary device (E.G. in Headphone)
Record your voice over midi or audio files
Add insert effect of main o secondary/recorded Audio track
Multi track player (Midi+Audio or Audio+Audio) with splitted controls (Volume/Efx ec..)
Book with fade out or mixing between Audio song and Midi
Dual monitor support ( Video and CDG files too )
Database for managing files and related settings
User sound editor for the creation of new sound banks
Audio Samples editor to insert real-time up to 100 samples
Managing Volume , Effects, Stamp , Kent , Transpose , Sustain , etc .. for each midi track
Storing virtual or physical changes for each song
Management of up to 16 different devices for midi
Import text in TXT /RTF format ( electronic music-stand )
Various karaoke display methods, also different for secondary screen (Karaoke Monitor)
Possibility to edit the individual notes of the drum track
Ability to associate a text or image to an Audio or Midi
Insert you custom karaoke or chords for Midi and Audio (stored in meta tags of the media file)
Sophisticated search engine with different criteria
Extraction and conversion from Cd in mp3 or wave
Compressor volumes for both Audio and Midi Files
Up to 10 locators for each song
Inserting images as background
Custom Midi-Engine permit realtime modify your settings(Volume,Instuments,Dynamics,Pan,Reverb,CutOff ecc…)
Compatible with M-Live karaoke format
Cover feature to change the feeling of the midifiles
General volumes, parameters of compression ,and other audio engine settings
General volumes, parameters of compression ,and other midi engine settings (only synth orchestra)
Wave to MP3 Converter
Import of Grooves in midi and audio format
Cue point management with detailed info such: insert text, images , loops , jumps key change at specific points ecc..
Display score and simplified notes on midifiles
Zynaptiq MORPH v2.1.1-R2R
MORPH 2 is a real-time plug-in for structural audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming ("morphing" into) another. MORPH creates seamless morphing transitions, hybrid sounds that combine aspects of existing ones, physically impossible instruments, unique creature and robot voices, talkbox-like effects, surreal sound-scapes and other unheard new sounds. 

MORPH not only offers a wealth of creative potential for game-/film-sound design, but also for music producers and remixers, allowing them to develop new content from existing recordings – all in sync and in real-time. 

The MORPH 2 features at a glance:

5 Unique feature-aware structural audio morphing algorithms.
Morphs between two input channels or input and side-chain.
Dual morphing circuits with crossfade option.
High-quality formant shifter.
Uses proprietary signal transform technology for ehnanced fidelity and intelligibility.
Both inputs can be mixed into the output or switched to solo.
Built-In Hall Reverb.
Fully real-time for immediate results.
TBProAudio AB_LM v1.0.2 RTAS AAX VST VST3 CE-V.R
AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. We at TBProAudio found us very often in mixing or mastering situations where we need to quickly identify the contribution of a certain plugin (FX) or even a complex FX chain to the sound.

Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal.

Comparing the plugin effect at equal loudness levels avoids the "louder is better" - pitfall.

TBProAudio AB_LM v1.0.2 RTAS AAX VST VST3 CE-V.R

Mode & Link Channel

Sets the mode of the plugin, either Sender or Receiver and the link channel for the communication. Sender is placed before the plugin(s) which should be AB level matched, Receiver is inserted after.

Latency Compensation

Some plugins add latency to the plugin chain. For a sample-exact AB loudness comparison audio streams need to be synchronized. This can be done automatically (just press PDC button and wait 1-2 seconds) or manually by entering the latency value (in samples).

Pre-FX Loudness

This meter shows the current and maximum loudness of the audio stream just before the plugin(s). Many plugins work best at a certain loudness level (e.g. -18 dBFS)

Post-FX Gain

This meter shows the loudness difference of pre and post-FX signal. The match button lets you set the additional post-FX gain (match mode "manual") based on current loudness difference. Match mode "Auto" does this automatically.

Match Modes

AB-LM lets you match the loudness either manually, or automatically.
The mode "Gain Stage" works differently: The additional FX drive gain is just removed from the audio stream right after the FX chain for "pure" gain staging purposes. 

Snapshot Slots

AB_LM provides 4 snapshot slots to store and recall settings for FX drive and Post-FX gain. So you can test your plugin chain with different gain levels, all loudness matched.

FX Drive

This parameter adjusts the additional pre-FX gain.

AB Switch

This button lets you seamless switch between pre and pre-FX audio signal.

Pre-FX Gain

This meter shows how close the loudness of the incoming signal is matched with a certain reference level. Many engineers work with loudness calibrated audio systems.

Features

match pre and post-FX loudness
match pre-FX loudness with reference level
3 loudness match modes: manual, auto and gain stage
FX chain drive
up to 16 sender/receiver pairs
automatic latency measurement/compensation
adjustable RMS measurement window
bypass AB_LM
4 snapshot slots
very CPU friendly
large and easy to use GUI
Adam Monroe Music Honky Tonk Piano V.2.4 KONTAKT VST AU
Adam Monroe's Honky Tonk Piano was sampled from a vintage Chickering upright piano - exact age unknown - primarily through a Neumann TLM 102 microphone. The piano had undoubtedly seem some action, and although it could be tuned (one note at a time) the tone of the piano was a bit on the "honky" side. The piano was sampled close-miced with lid open in mono, but each note was carefully panned to creat a stereo effect. An AKG D112 was used initially in order to capture the lower frequencies, but the TLM 102 did a fine enough job on its own.

We attempted to sample this piano deeply (10 velocity layers, 2 note round robin) but in the end, round robin was only partially captured, well the velocity goals were met. Unlike most piano libraries that just record one or the other, the piano was sampled with both sustain pedal open and closed, increasing the library's size, but allowing for more expression well playing.

Once the notes were recorded, the laborious task of processing them began. Noise was removed and the piano was eq'd and compressed - yes, this is a heavily processed plugin. The end result is an EXTREMELY PURCUSSIVE and LOUD piano library that will cut through your mix. This is not a pristine, clean plugin, and the notes can be quite hard hitting! We feel this adds to the percussive nature of honky-tonk style piano playing. Although we've cleaned up the notes quite a bit since the VST's initial release, we feel that too much cleaning-up starts to destroy the sound and feel of the plugin.

This piano plugin can be a great addition to your collection, as it fills a nice niche in the world of sampled upright pianos. If you need to make demos or recordings of ragtime music, or just need a generally purcussive piano, this virtual instrument is ready to become the newest member of your VST, AU, or Kontakt arsenal.


The Kontakt version of Adam Monroe's Honky Tonk Piano is cross-platform, and is maintained by Native Instruments, all the programming and effects being done through them. Some simple scripting is done by us. The VST and Audio Unit versions are another beast entirely, and the programming falls entirely on Adam Monroe Music. The goal in any sample library that is also a VSTi (virtual instrument) or AU (Audio Unit) is to attempt to match the performance of the Kontakt Player. With this library, we feel like we have done just that.
The VST and AU versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even in lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is comparable to the Kontakt version. Because of the solid VST/AU code base and - and compilation of the code to not need external .dll's/objects/libs - you can feel confident that the VST and AU versions should work just as well as the Kontakt version.

Why develop VST and AU versions at all? Although a great piece of software, the Full version of Kontakt (required to run 3rd party sample libraries) is expensive. Developing VST and AU versions that anyone can use does not add significant time to the development of a piano sample library - most of the time is spent sampling and processing the samples - so it's a real no-brainer.

Audio engineering is a large part of creating a VST or Audio Unit, and you will find some useful things like reverb, lo-fi, and chorus built into this plugin. The VST version is based on VST 2.4, and should work in nearly any modern version of 32 or 64 bit version of Windows. The Audio Unit version is compatible with, and will show up in, DAWs that still use the older CARBON resources, and is also compatible with 64 AND 32 bit DAWs running on Mac OSX. The download size for all versions is 2.9 GB, and unzipped the library takes up about 4.2 GB. We use Amazon for file serving, so you can rest assured your download will be fast and smooth!
AudioThing Fog Convolver v1.2.2 Incl Patched and Keygen-R2R
Fog Convolver is a convolution plugin that applies the sonic character of an impulse response to another sound in real time.

Fog Convolver can be used to add reverberation, create special effects, and apply an acoustic impulse captured from audio equipment.

The factory bank features more than 250 impulse responses made from spaces, analog and digital equipment, speakers, organic sources, and more.

Specifications:
250+ Impulse Responses.
Lightweight real time Convolution Engine.
Impulse Response Export (drag to DAW/export to WAV).
Preset Browser with customizable categories, tags, rating, and more.
Formats: VST, AU, and AAX (32/64-bit).
Platforms: OS X, Windows.
AudioThing Frostbite v1.5.1 Incl Patched and Keygen-R2R
Frostbite is a multi-effect plugin featuring Ring Modulator, Feedback, and Freeze modules. It’s aimed at ambience and cinematic music, but can also be used for extreme sonic experiments. The Signal Flow is flexible with 6 different combinations. 

The Signal Flow is flexible with 6 different combinations.
The Ring Modulator multiplies your input signal with a Sine wave (with frequency up to 4kHz). You can also reduce the high-end with the Low Pass filter.
The Feedback module features a delay function (up to 200 samples) which can be modulated by an LFO.
The Freeze module features a Freeze effect that can hold the input up to 25 seconds. The Fade Out and High Pass controls can additionally shape the behaviour of the freezed sound