MUSIC
reFUSE Software Lowender 1.4 VST
From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!

While taking the classic "Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.

Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).

Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.
Parasite v2.0 for Reaktor
Emulation of the VIRUS Synthesizer for NI Reaktor 5
Use Reaktor 5 and Aboveыё
Cakewalk rgc:audio SFZ VSTi 2.0.0.1 x86
The best SoundFont sampler money can buy.
Pitchshifting/resampling interpolation is the best among SoundFont samplers and even one of the best among samplers in general, it's pristine clean, no aliasing at all.
No extra effects and other bloat, must have tool if you're still using good old soundfonts.
Notes:
This is not freeware 1.97 version, but updated one included with Sonar X3.
x64 port exists as well, but it's buggy thus not included in this release.

1.97 was marked as 2.0.0.0 in dll metadata. No other version information is
present in Sonar version so I've named it "2.0.0.1".
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.

The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.

EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.

Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models,
with some added features such as noise reduction and wide stereo control for
each individual freq-band.
The DNX-03 is able to split the incoming signal into three frequency-bands using a
6dB per octave crossover.

First-order filters are considered by many audiophiles to be ideal for crossovers.

Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.

News V2.0

New compressors inside
New parameters for compression
New saturation system
New shortcuts
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS
Kuassa Cerberus Bass Amp v1.0.1 VST VST3 x86 x64-CHAOS
Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power, or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.

Cerberus Bass Amplifikation also comes with features standard to Kuassa’s other amp products; noise gate, and dual cabinet miking modeler. In addition, the Rack Extension version features a handful of CV input controls, while the VST/VST3/AU/AAX version will have an external IR loader and a 3D miking interface.

Cerberus Bass Amplifikation: Take charge of the bottom frequency, directly from your DAW.
Audiffex AmpLion PRO v1.1.3
AmpLion turns your computer into an ultimate guitar stack. Use it in standalone mode for playing live, learning and rehearsing or as a plug-in module to enhance your guitar tracks.

AmpLion features ultra-precise simulation of 9 guitar preamps, 7 power amps, 12 speakers, 8 microphones and 30 effects deliver extra wide variety of unique guitar sounds.
Compatibility

Standalone application, VST 2.4, RTAS, AU (Mac only), AAX
Requirements

PC: CPU with SSE2 support (Intel Pentium 4 or AMD Athlon 64 and newer), Windows Vista, 7, 8 (32-bit/64-bit), ASIO compatible audio interface
A.O.M.Factory Total Bundle Plugins Pack v1.7.3 VST x86 x64 Patched and KeyGen-CHAOS
Invisible Limiter - transparent mastering limiter
Stereo Imager D - true-stereo image manipulator
Wave Shredder - waveform destruction
tranQuilizr - transparent equalizer
Cyclic Panner - Axis transformation panner 

Changelog

New features and enhancements

[All Plugins] Supports "Compare” button in hosts.
[All Plugins] Supports control automation in Ableton Live.
[All Plugins] Supports dynamic plug-in latency change.
[All Plugins] Removes GUI update rate throttling. Plugin GUI update rate now depends on host’s callback rate.
[All Plugins] Implements lightweight denormal number handling. This change prevents CPU spike caused by denormal numbers as same as previous implementation, but consumes fewer CPU cycles. SSE3 is now required.
[OSX Plugins] Introduces *.pkg installer.
[Invisible Limiter AAX] Enables "LATENCY” parameter.
[Invisible Limiter, tranQuilizr, Wave Shredder] Supports surround configuration up to 8in/8out. (EXPERIMENTAL)
[tranQuilizr] Improves performance slightly.
[Cyclic Panner] Supports 1in/2out configuration.
Forgotten Keys FK9 Hammond Auto-Vari 28 V.4.2 KONTAKT
This Hammond AutoVari rhythm unit was originally built into an old old Hammond Dolphin organ from the 1970s. Although it only had 7 rhythm buttons, each one had 4 variations so there were 28 rhythms in all. The unit itself included circuitry and controls for the organs auto-accompaniment section but no circuit diagrams or schematics were available to see how to access it.

Sounds
The FK9 includes isolated samples of the 7 analogue sounds of the AutoVari. Each sound has been sampled 8 times and is chosen randomly within Kontakt. They are, or course, accessible via a keyboard or DAW sequencer also. The sounds are in 24-bit 44.1KHz wav format.

Rhythms
Each of the 28 rhythm patterns have been re-created for Kontakt. They are not sampled loops, rather they are sequences that trigger the individual sound samples when needed. This is how a real drum machine works, only here we use samples instead of a sound generator circuit.

Setup
The Setup tab offers greater control over how the FK9 sounds and operates. There are volume, pan and tune controls for each sound. Incoming MIDI notes can be mapped to any rhythm. Random tune and volume controls add a little human element to the sounds.

Inside
Here’s what the AutoVari looked like inside. There was no case of course as it was enclosed by the organ cabinet. Some of the controls you see here were for the organs auto-accompaniment section.
Maizesoft Maize Sampler Editor v2.3.1-CHAOS
Have you ever dreamed publishing your samples as a VST and Audio Unit virtual instrument? With Maize Sampler 2, this is easy and affordable. In minutes, your instruments will be ready to be used by musicians all over the world.

Maize Sampler 2 is a cross-platform tool for sound developers to create sample-based virtual instruments. The following are some highlighted features
Features:

Standalone Windows and Mac OS X editor application (32 and 64bit).
Group selections by key / controller / MIDI channel.
Disk-streaming / Memory reading mode.
Poly / Mono / Legato voice mode with glide time.
LFO, ADSR envelope and built-in reverb effect.
Round-robin / Random overlapped sample trigger.
Load EXS24 sampler format.
Sample loop, Choke cluster, Release trigger.
Big sample mapping area and sample table view.
Export .mse compact instrument file.
VST and Audio Unit player plug-in generation (32 and 64bit).
What you see is what you get player GUI editor
Custom knobs, faders, meters and buttons on player UI.
Serial number copy protection on exported instruments.
Support up to 32 audio output channels

Changelog

7/16/2015: 2.31
- Fixed some regressions introduced in previous version

7/7/2015: 2.30
- Added level meters in player
- Support max 32 audio output channels (16 stereo)
- Fixed a problem with the click sound when looping a sample in memory mode
- Improved the stability of disk streaming under high pressure
- Improved the MIDI processing performance
- Fixed a crash when loading some project files